Due to extremely high demand, the first edition of Waka Waka is now sold out. Orders placed today will ship in late February with the release of the second edition. Thank you for your patience and for the incredible support.
In the meantime, limited copies of the book are available at the following retailers:
Common Things
76 E 7th St, New York, NY 10003
Marché Rue Dix
1453 Bedford Ave, Brooklyn, NY 11216
Waka Waka is a visual meditation on movement and a journey across geographies, cultures, and time. Spanning more than fifteen years and over fifteen African countries, the project reflects an ongoing search for what it means to see and be seen within one’s own landscape. Through the lens of Ernest Danjuma Enebi, Waka Waka becomes both an archive and an invitation, a call to witness the ordinary as extraordinary and to find rhythm and dignity in the everyday.
At its core, Waka Waka is a work about presence. It presents Africa not through narratives of lack or potential, but through the fullness of what already is. It is an act of attention and a celebration of texture, humor, and spirit.
In Waka Waka, Danjuma offers a portrait of a continent in motion, at once deeply personal and profoundly collective. Each photograph becomes both document and conversation, a single moment that opens onto a larger journey.
Due to extremely high demand, the first edition of Waka Waka is now sold out. Orders placed today will ship in late February with the release of the second edition. Thank you for your patience and for the incredible support.
In the meantime, limited copies of the book are available at the following retailers:
Common Things
76 E 7th St, New York, NY 10003
Marché Rue Dix
1453 Bedford Ave, Brooklyn, NY 11216
Waka Waka is a visual meditation on movement and a journey across geographies, cultures, and time. Spanning more than fifteen years and over fifteen African countries, the project reflects an ongoing search for what it means to see and be seen within one’s own landscape. Through the lens of Ernest Danjuma Enebi, Waka Waka becomes both an archive and an invitation, a call to witness the ordinary as extraordinary and to find rhythm and dignity in the everyday.
At its core, Waka Waka is a work about presence. It presents Africa not through narratives of lack or potential, but through the fullness of what already is. It is an act of attention and a celebration of texture, humor, and spirit.
In Waka Waka, Danjuma offers a portrait of a continent in motion, at once deeply personal and profoundly collective. Each photograph becomes both document and conversation, a single moment that opens onto a larger journey.